>WEB

microsound | Ian Andrews | Aust |2001 |
A collection of compact flash animations music clips utilising actionscript programming to achieve interactive &/or complex permutational structures. The music produced is typically minimal/electronic/noise
Ian Andrews is a video & electronic music/sound artist. His work has been exhibited inter/nationally. He is currently working on digital video and net based sound projects.
i.andrews@metroscreen.com.au
www.ebom.org/iana/microsound

_The Data[h!][bleeding T.ex][e]ts_ | [mez] | Aust | 2001 |
_The Data[h!][bleeding T.ex][e]ts_ r remnants from email performances d-voted to the dispersal of writing that has been n.spired and mutated according 2 the dynamics of an active network
MEZ [Mary Anne Breeze] is a professional net.wurk artist, avataristic author of the netwurk language system termed "mezangelle", and regular on&off -line journalist.
netwurker@hotkey.net.au
www.hotkey.net.au/~netwurker/

DAKOTA | Young-hae Chang | South Korea| 2001 |
Dakota is inspired by a close reading of Ezra Pound's Cantos I and first part of II.
Young - Hae Chang Heavy Industries received an honourable mention at the SFMOMA Webby Awards for Online Excellance2000.
tfa@chollian.net
www.yhchang.com/DAKOTA.html

Every Image | Alex Galloway | USA| 2000 |
Like an Internet readymade, this screensaver collides images from many sources and time periods. Install every image on your computer, then wait ... a beautiful narrative spanning the last five years of net art will unfold before you.
Alex Galloway is Editor of Rhizome.org, a leading platform for new media art. Alex is the co-creator of Starrynight, a database artwork. He is currently working on a new piece called Carnivore--after the FBI software of the same name--that uses packet-sniffing technologies to created vivid depictions of raw data.
alex@rhizome.org
http://rhizome.org/EI

IDENTITY-RUNNERS | Global | 2001 |
We gather our texts, images, code, and cover them with our laughter and our bodies. From material junctions of code, technology and the body, we build counter hallucinations -- Ephemera, Discordia, Liquid Nation -- to the mass, consensual hallucination of command and control that we call society.
Identity_runners was conceived by Diane Ludin (New York), an artist and writer focusing on the shifting representations of biotech and informatic labor. Agnese Trocchi (Rome), a videomaker and writer, and Francesca da Rimini (Adelaide), puppet mistress and ghostgirl, are core collaborators.
dollyoko@thing.net
http://z.parsons.edu/~ludin/final_pages/indexold.html

INFLAT-O-SCAPE | Jessica Irish | USA | 2001 |
Inflat-o-scape is an experimental, multi-faceted 'view' of an urban information zone: a merging of architectural structures, information technologies and inflatable forms. Inflat-o-scape is a fabricated 'space', merging and erasing historical and geographical specificity, creating a new landscape that is part fiction, part, history, part failure and part theoretical database.
Jessica Irish is a Los Angeles based artist, working in installation, print and online spaces. Her current work investigates the relationships between information technology, architecture and what is still called the 'landscape'.
jirish@onramparts.net
http://www.inflatoscape.com

PLACE | Greg Lowe | Aust | 2000 |
Based on the writing of Baudrillard & Virilio, PLACE explores how technology has altered notions of space and time, creating text-based landscapes which add depth beyond the screen's surface, leaving us in a floating electronic space.
Exploring the relationship between the physical/metaphysical, my work to date has been concerned with the effects of technology, on our consciousness, our notion of the "real", and the "natural" world.
greg_lowe@hotmail.com
http://www.users.bigpond.com/kinshinglowe/place/index.html

wundernet | Anna Munster | Aust| 2000 |
wundernet invokes the curiosity cabinets of the seventeenth century as closets, harbouring the strange objects that also inhabit online spaces. This site positions digital objects and preoccupations in relation to baroque space.
Anna Munster is a digital artist and writer. She has exhibited in Australia, Japan, America and online. She is also a lecturer in digital media theory at the College of Fine Arts, University of New South Wales and an official art critic.
a.munster@unsw.edu.au
http://wundernet.cofa.unsw.edu.au

The Central City | STANZA | UK |1997-2001 |
The Central City area an organic networks of grids diagrams relationships. The juxtaposition of urban sounds and sights. towers, maps, the sounds of the city, an audio visual city experience. images from computer based drawings and sounds of London. themes motifs that occur within the context of this work include: Networks of information technology contrasted with organic networks as grids.
Born in 1962. Educated in MA communication design, PG dip multi media, PGCE. Teaching cert., Internet design summer school, Lingo Modules, Recording technology, PG dip. (TV &VIDEO), BA honours Fine arts, Art foundation, A levels, Math etc.
stanza@sublime.net
www.thecentralcity.co.uk

Fossil | Gary Zebington | Aust | 2001 |
A responsive, animated inkblot test. By accumulating words which visitors enter to describe what they see in its constantly changing form, Fossil creates a self-image which responds to how new words match it. In this way we discover how our individual subjectivities parallel a collective one.
Converted from painting to digital media in 1990. His graphics and software design have generated cd-roms, interactive installations, websites and large-scale cyborg performances.
garu@eye.usyd.edu.au
http://murlin.va.com.au/eyespace/fossil